Product details
JBL – Stage 220P 12-Inch Powered Subwoofer – Espresso
Experience the powerful sound and deep bass you’ve been craving with the JBL Stage 220P 12-Inch Powered Subwoofer in a stylish espresso finish. Designed for audiophiles and casual listeners alike, this subwoofer delivers an immersive audio experience that brings your music, movies, and gaming to life.
Key Features
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Powerful 12-Inch Driver: The robust 12-inch driver is engineered to produce deep, resonant bass that fills your space with rich sound.
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Built-in Amplifier: With a high-efficiency built-in amplifier, the Stage 220P ensures optimal performance and seamless integration with your existing audio system.
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Adjustable Frequency Control: Tailor your listening experience with the adjustable low-pass filter, allowing you to customize the bass response to suit your preferences.
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Stylish Espresso Finish: The elegant espresso finish blends beautifully with any home décor, making it a perfect addition to your living room, home theater, or gaming setup.
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Easy Connectivity: Featuring RCA and speaker-level inputs, the Stage 220P easily connects to a variety of audio sources, ensuring compatibility with your existing sound system.
Specifications
- Driver Size: 12 inches
- Power Output: 200 watts RMS (400 watts peak)
- Frequency Response: 30 Hz – 120 Hz
- Dimensions: 14.6 x 14.6 x 15.7 inches
- Weight: 40.4 lbs
Why Choose JBL?
JBL has a long-standing reputation for delivering high-quality audio products that combine advanced technology and innovative design. The Stage 220P is no exception, offering an exceptional balance of performance and aesthetics. Whether you’re watching movies, listening to music, or playing games, this subwoofer will elevate your audio experience like never before.
Enhance Your Sound Experience Today!
Don’t settle for mediocre sound. Upgrade to the JBL Stage 220P 12-Inch Powered Subwoofer in espresso and enjoy the rich, powerful bass that only JBL can deliver. Perfect for any audio enthusiast looking to enhance their sound system with style and sophistication.
Order yours today and feel the difference!
jre401k –
The JBL Stage 220P Sub-Woofer is easy to set up and provides a great bass boost to the overall audio system. It comes with carpet spikes to prevent it from moving around on a soft floor in a living room environment.
What I liked most about the system is that it’s well matched with the JBL MA510 AVR as an upgrade to a typical Sound Bar system. It works great in a home theater environment, or as a classic bookshelf style AV system. JBL offers multiple options for the MA 510 system including a center speaker, a pair of front speakers and a pair of surround speakers and a subwoofer. Notably, you can add a second sub-woofer if you choose. This means you provide your own wiring for components, including TVs, speakers and sub woofers as well as network wiring if necessary. So, on that basis if you want to get started quickly and easily, you can start with a simple Stereo installation and gradually add the well matched JBL speaker components as your space or budget allows.
The JBL system is easy to set up once you gather sources for content and the necessary wiring for speakers taking twenty to thirty minutes for a 2.1 channel, stand-alone system without permanent installation such as with hidden cables. This Sub-Woofer would certainly beef up your gaming audio if you chose to do so.
Otherwise, if you are planning to install the system permanently, it obviously takes a lot more planning than I have committed to. I would highly recommend matching this sub-woofer with the MA 510 or MA 710 AVR systems including the Center and Surround Speakers to bring the system up to a minimum of 5.1 channels. However, because I am not game oriented, the two extra channels in a 7.1 system just seems superfluous.
The Stage 220 P pairs well with the matching JBL Stage 2-250B speakers are an awesome combination together with the MA 510 AVR. JBL made it easy to match the various components of a top-notch system. Plus, the sound quality is terrific. The is modern look in the Espresso color also goes well in a traditional environment.
In summary, this JBL system provides an easy to set up, well-matched upgrade from a ‘Soundbar’ System.
LouRevue –
I’m in the midst of upgrading my home theater setup and this sub was the last piece, so to speak, of that process. I had a subwoofer before however it was on the cheap side so getting this one was definitely a huge upgrade for me.
I have this paired with the matching bookshelf speakers and receiver from JBL. I’m not a big fan of mixing and matching so I wanted to go with the complete set to ensure compatibility and functionality.
As with most subs, this is quite hefty. Little unsure of it’s location next to my TV but I’m working on that. It’s small enough where it’s noticeable however not large where it’s an eyesore. Also comes in handy as a makeshift shelf as well. I don’t have a lot of space near my TV so this was a nice choice in both size, quality and price.
As far as sound goes, very pleasantly surprised with this. It’s good enough where it’ll add that extra oompf when watch action movies but also boomy enough when playing music. It’s not a muddled sounding bass either that I had with my previous subwoofer. The lows are clean and clear without too much reverb on them.
Great addition to the home setup and sounds great.
Curmudgeon1 –
JBL and Harman have been iconic names in professional and consumer audio for decades. Both names date back to the audio products of the 1940’s and 1950’s. By the late 1960’s and early 1970’s JBL speakers were the premier speakers in Fender guitar amplifiers and speaker cabinets as well as many stage monitors. In the mid 1970’s the Grateful Dead toured with their famous “Wall of Sound” which contained a reported 586 JBL speakers (5”, 12” and 15”). James B. Lansing was associated with a lot of great music.
By the 1970’s Harman Kardon stereo receivers were a favorite among audiophiles. JBL and Harman Kardon were responsible for some of the most respected and popular professional audio equipment as well as consumer products.
Through the decades the companies experienced ownership and management changes wherein fast-forward to the present day, Harman International is a subsidiary of Samsung, and includes JBL and a collective of some of the most renowned and respected audio products companies.
JBL Harman just released the new product line comprised of MA (Modern Audio) series AV receivers and JBL Stage 2 series speakers. Among the factors that attracted me to these new components is that the MA AV receivers and Stage 2 speakers are matched components.
From my perspective, there are several compelling advantages to using matched components, particularly as compared to cobbling together a home theater system from components from various manufacturers or even various products from a single manufacturer.
First, all of the speakers share the same physical appearance characteristics, including their modern, minimalist design style, and their availability in either an Espresso (dark) or Latte (light) woodgrain speaker enclosure finish, with complimentary colored black or gray, magnetically attached removable grilles. The MA receivers are available with either a black or white face on a black cabinet.
More importantly, they are matched technically. All of the speaker enclosures share the same construction and sound shaping characteristics with similar tuned rear ports, transducer design, construction and electrical characteristics, similar crossover networks and matched impedance. These speakers are also technically matched to the new MA model AV receivers, including matched power handling, with the intention of producing outstanding sound reproduction. In fact, towards those end-goals, the new MA AV receivers and the Stage 2 speakers were all designed and engineered at the JBL Harman Acoustic Engineering Center of Excellence in Northridge, California. The speakers and receivers will perform optimally together, because they are purposefully designed for perfect integration and compatibility.
Another important attribute of the MA series receivers and Stage 2 series speakers is that JBL designed and engineered them for simplicity of setup/installation and simplicity of operation. People who are neither devoted audiophiles, engineers or industry professionals are able to rely on these components being the perfect accompaniments for each other. There are enough selections available to get just what you want and need, but there is no overwhelming complexity to create a difficult or intimidating experience when selecting, setting up or using these terrific components.
I am extremely impressed with the performance of my JBL Harman components, all of which sound terrific.
My outstanding JBL Harman home theater system is comprised of:
MA7100HP – 7.2 Channel AV Receiver
Stage 280F – Floorstanding (Tower) Speakers – Front Channels
Stage 240H – Atmos Height Modules (Atmos Caps) – Mounted on 280F Speakers
Stage 245C – Center Channel Speaker
Stage 250B – Bookshelf Speakers – Rear Channels
Stage 220P – 12” 250 Watt RMS Powered Subwoofer
This assemblage of perfectly matched JBL Harman components is a stellar home theater system which sounds absolutely amazing!
I am incredibly impressed and completely satisfied with the Stage 220P Subwoofer Speaker. The 220P Subwoofer is the larger of the two powered subwoofer speaker models available in the JBL Stage 2 series.
SPECIFICATIONS – STAGE 220P (From JBL Documentation):
Type: Powered Subwoofer
Low Frequency Driver: 12-inch (300mm) Polycellulose Ribbed High Excursion
Amplifier Power: 250W RMS (500W Dynamic)
Frequency Response ± 6dB: 26Hz-150Hz (Conflicts with other JBL Documentation stating: 29Hz-150Hz)
Crossover Frequencies: 50Hz-150Hz (variable) 24dB/octave
Controls: 35Hz-150Hz (Conflicts with other JBL Documentation stating: 50Hz-150Hz)
Controls: Auto Power, Crossover, Level, Phase
Inputs: One (1) Line-Level LFE Input
Enclosure Tuning: Bass-Reflex via Dual Rear-Firing Tuned Ports
Power Requirements: 120V, 60Hz (US) 220-230V, 50/60Hz (EU)
Power Consumption: <0.5W (standby) / 205W/1.6A (max – 230V) / 205W/3.15A (max – 120V)
Finish: Espresso or Latte
Dimensions (HxWxD): 16.4in x 15.9in x 17.5in (416mm x 405mm x 444mm)
Product Weight: 41.2 lbs. (18.7 kg)
Shipping Weight: 51.4 lbs. (23.3kg)
The large and fairly heavy Stage 220P active, powered subwoofer is equipped with a front firing 12” polycellulose transducer which very effectively moves a lot of air and produces energetic, palpable bass notes. The 250 watt RMS powered amplifier coupled to the large speaker delivers very deep, room filling bass even in a large room.
Proper subwoofer placement and crossover frequency selection optimize production of deep, accurate and smooth bass. Since low frequencies are not directional like higher frequencies, placement near a room corner is frequently the preferred location for optimizing bass response by capitalizing on low frequencies being reflected by hard surfaces like walls, and minimizing absorption by soft furnishings.
The magnetically attached grille with its orange frame exposed at the sides matches the other Stage 2 series speakers. The rear panel includes the jack for the detachable power cord and a protected voltage selection switch which also allows use of the 220P on 220-240V mains. The rear panel also has the RCA connector for the subwoofer input cable, a rotary knob for the 50Hz – 150Hz crossover network, a volume control knob, a phase reversal slide switch, a similar switch to select “auto-power”, and a power LED. There are a pair of stacked ports on the rear of the subwoofer enclosure which JBL describes as “ Bass-Reflex Design with Dual Rear-Firing Flared Ports. The Bass-Reflex design of the 220P use dual rear-firing flared ports. This new flared design reduces the velocity of the air when exiting the speaker cabinet, eliminating any chuffing or coloration of output”.
I adhere to the generally accepted “standard” of setting the low-pass crossover of my receiver at 80 db and directing the low frequencies to the powered subwoofer. Adjustment of subwoofer gain is subjective, but I like to set up my subwoofer to deliver strong, palpable yet smooth bass presence, holding short of overdriven thumping distorted bass.
The JBL Stage 220P is an absolutely outstanding Low Frequency Effects (LFE) speaker that is ideally matched with the rest of my JBL home theater components. It has more than sufficient power to compliment the substantial and impressive audio being delivered by the large Stage 2 speakers which are driven by the powerful MA 7100HP receiver. The bass in music as well as the low frequency effects in movies is powerful, accurate and realistic. Low frequencies are felt by the body as much as they are heard by the ear, and the Stage 220P really delivers!
The matched design and engineering of the Stage 2 series speakers and the MA series AV receivers makes it extremely simple and easy to specify and select a complete home theater system comprised of excellent, premium level components from an outstanding audio component manufacturer, with a very long and rich company heritage.
Our listening and viewing experience has improved significantly with the Harman JBL home theater components. Whether playing streamed movies or music, or using my Blu-Ray player, CD changer, or turntable, we are now enjoying the experience more than we did previously.
The Stage 2 speakers and MA7100HP AVR provide extraordinary, room filling, high resolution audio with incredible fidelity across the full sound spectrum. As soon as I had connected and configured the system, running Top Gun Maverick, with its powerful soundtrack including plentiful height effects and powerful low frequency effects, was really incredible and satisfying! A few movies and concert videos later I was beyond impressed with how outstanding the Harman JBL components are! This is really how high-performance component audio should sound. The home theater experience with these components is truly a theater experience!
I am confident that the Stage 220P powered subwoofer is the best choice for low frequency effect speaker in this great home theater system. I am extremely impressed with it, and I am enjoying its powerful performance.
ITJim –
The JBL Stage 220P subwoofer is a high value, budget friendly 12-inch, dual rear-ported subwoofer that will provide a satisfying experience when well placed, configured correctly, and paired with the right equipment. The subwoofer, in my opinion, is the second most important speaker for any home theater. The subwoofer provides heft and weight to the music, dialogue, and special effects in our movies, TV shows, video games, and music.
The JBL Stage 220P subwoofer has a single 12-inch polycelullos ribbed cone with dual rear firing ports. The sub’s power supply provides 250 watts RMS which is capability of hitting 500 watts in short bursts. The 220P is not powerful enough to shake the room or scare the cat. It is powerful enough to pressurize a small to medium sized room and bring some big sound to your home theater. In my room, the 220P was able to rattle a few photos on my walls during loud, sharp base notes such as heavy footfalls or loud explosions.
The back of the subwoofer has a single input used to connect to the AVR. The 220P does not come with a cable. Meaning, you will need to purchase a cable that is long enough to comfortably accommodate your sub’s final room position. There is a volume knob, crossover control knob (which I set to 100hz), phase switch, power mode, a power mode indicator light, a main voltage selector switch, and a power input. The 220P does come with the power cord. I set the power to Auto which is JBL speak for standby mode.
I have a small room that measures 10W x 18L x 6H. I placed the 220P in the front left corner of my room next to my JBL Stage 2 280F Tower speaker. This will maximize bass output and minimize the power required to achieve my desired output levels through boundary reinforcement. However, corner loading the sub also comes with the risk of overloading the room with muddy, bloated bass. It’s a balancing act that requires some patience to get it right. My goal is beautifully integrated bass; not blow me out of the room bass.
To start, I tried to manually integrate the sub with the speakers. This did not work well for me. So, I set the subwoofer volume knob to 50% and let my JBL MA710HP AVR’s calibration routine figure it out. Long story short, I ultimately settled on 75% volume. This created the best balance between seamless integration and power. I preset the speaker crossovers to 80Hz, THX standard. Ran the calibration. Presto Magico, the subwoofer was fully integrated for music and movies. Eventually, I lowered the front left and right speaker crossovers to 40hz so I could take full advantage of the additional bass output from the huge 8” woofers of my JBL 280F Tower Speakers. The results were a well-integrated and exciting musical and cinematic experience.
=== Performance ===
For reference, my 220P subwoofer is integrated into a 5.1.2 theater consisting of the JBL Stage 2 250B bookshelf speakers, 280F tower speakers, 240H height speakers, 245C center channel, and the JBL MA710HP AVR.
My test 4K movie for any new speakers, subwoofers, or gear is Pacific Rim, Scene 2. This is the first fight between Gypsy Danger and a Kaiju. The scene has everything from thunder, metal fists punching kaiju jaw, billowing boat horns, distressed and breaking metal, and the deep roars of the kaiju. Sometimes all at once! For example, the system explodes with a wall of sound when Gypsy Danger unleashes a fist full of metal fury into her kaiju’s opponents head. The system did not skip a beat.
The 220P also performed admirably in complete isolation. For example, there is a short scene after Gypsy’s battle where she is staggering to shore. The 220P did an excellent job of keeping up with the action. And the isolated bass from the footfalls, and her final collapse on the beach, showed that the 220P had enough power to provide an emotional connection to the scene. Bass did not sound bloated or boomy. Integration with all seven speakers in my little home theater sounded good.
Next, I played Rebel Moon: The Director’s Cut Part 1 on Netflix. The movie opens with the Armies of whoever the bad guy is are mowing down civilians who are trapped in an urban environment. The laser blasts in this movie carry a lot of low-end bass. The subwoofer as literally jumping off the floor with every laser bolt. This was prior to the calibration steps above and really showed the weakness of my manual integration efforts. I calibrated the system and re-ran the same scene. This time the bass heavy laser blasts were perfectly in tune with the rest of the system. Each blast was tight, had weight, and was satisfying to listen to. The same was true with explosions, warship cannon shots, and heavy bass of rocket engines as they landed, and even the low frequency hum common associated with being on board sci-fi spaceships. It all came together with the 220P performing wonderfully.
I also ran the theater for a short time with the subwoofer turned off. The front Left and Right JBL 280F tower speakers were able to hold their own to a point. It became quickly apparent that even these behemoths needed the punch, power, and sound reinforcement that only a powered subwoofer can provide.
Music that has heavy rhythm and/or full of heavy bass drops sounded great for 2.1 channel listening. The difference in sound was obvious when I flipped between 2.1 and 2.0 listening modes. For example, John William’s “Imperial March” from Star Wars sounded great with just the two 280F tower speakers. However, adding the subwoofer provided the power and authority required to really make the Imperial March sound convincingly menacing. This was also true with Jacques Loussier Trio’s jazz rendition of Bach’s Fugue in G Minor BWV 578, Boston’s, “Amanda”, Sturgill Simpson, “Remember to breathe, and PSY’s bass heavy, “Gentleman”.
Overall, once I got the sub dialed in properly, it was a joy to listen too.
=== Construction and aesthetics ===
The 220P subwoofer is a well-constructed subwoofer even by budget subwoofer standards. The vinyl espresso wood wrap is very well executed and matches my entertainment center. This is a happy accident which helps to visually unify my front stage.
The front baffle of the 220P is matt black. The baffle’s edges extend beyond the sides and top edge of the subwoofer cabinet by a few millimeters. I believe this was done to make the 220P match the aesthetic of the rest of the Stage 2 line of speakers. The baffle also gives the subwoofer grills some depth by framing the grey grill fabric with a recessed black border. This gives the subwoofer an extra sharp look when the grills are on.
The subwoofer grills are smartly constructed, attractive, and help the subwoofers pop. The grill frame is constructed of a single piece of JBL Orange molded plastic. Gray toned textured colored acoustic fabric is stretched across the plastic frame. JBL brand is silk screened onto the front bottom of each grill. The fabric appears machine cut and glued to the back of the frame. The design and construction are very clean and give the subwoofer a professional look.
The grills stick to the baffle with strong magnets. Simply brushing the subwoofer during a walk-by will not be enough to knock the grills off. The back side of the subwoofer grills have soft felt to protect the subwoofer baffle from scratching due to removing and replacing the subwoofer grills.
I performed the knock test on the front, back, side, and top of the subwoofer. Essentially, knock on the sides of the subwoofer like you would a door. The top and sides sounded hollow as one would expect from a budget subwoofer. The front baffle sounds dull compared to the sides and top. This tells me that the front baffle is thicker and more inert than the sides and top. Which is what I would expect from a budget subwoofer.
Overall, the fit, finish, and construction of these subwoofers are fantastic.
=== Conclusion ===
Normally, budget friendly subwoofers look slapped together and cheap. The JBL Stage 220P subwoofer looks anything but cheap. This subwoofer is very well thought out, purposely stylized, professionally executed, and looks fantastic in my room.
The 220P is easy to recommend as a high value, budget friendly subwoofer. There is a lot to like here. It will sound great if it is properly integrated with the speakers and calibrated to play within the sonic limits of the room. Do not put this sub in a small room, dial it up to 11, and expect heavy metal nirvana. It does not work that way. Treat the JBL Stage 220P with respect and it will reward you with a solid cinematic and musical performance.
TonyMSP –
This 12” powered subwoofer digs and digs deep. I have a fairly large theater room and the JBL Stage 2 220P has no issues pressurizing the room. The built-in amp is rated for 250W RMS and can shake my whole house with the proper placement. The frequency response range is 26Hz-150Hz. It’s rear ported which helps reduce the overall height of the box so I can also easily fit it underneath my projector screen when compared to front ported boxes. The dark wood looks amazing in my decor and I highly recommend this sub for anyone building out their home theater. Set a proper crossover within your AVR for your speaker types and let this sub do all the heavy lifting. I recommend setting all your speakers to “Small” and start with a 80Hz crossover to the 220P. Set your crossover knob to the max crossover on your sub and let your AVR do all the crossover for you. Adjust the volume knob of the sub to match the dB levels of your entire system.
Proper placement is key to have tight and deep bass. Best way I found is to do the infamous “sub crawl”. Simply put the sub directly on your main sitting position and listen to your favorite bass heavy track. Then slowly move on your hands and knees around the perimeter of your home theater until you can hear and feel the most bass. There are usually a few spots that will sound the loudest and that’s the spot to put the sub. Next for proper calibration is to do room correction if your AVR is capable of doing it. The minimum one should do is set the distance of the sub to your sitting location and set the level to match the rest of your setup. The distance will ultimately set the delay and the level will make sure you’re within range of your set dB at reference level listening. Best practice is to adjust all your speakers to 75dB with an SPL meter capable of C weighted readings at reference level volume to your main sitting position. Then bump the volume of your subwoofer +10dB if you like a heavier bass presence or adjust the subwoofer level within your AVR.
In summary, I do recommend the JBL Stage 2 220P subwoofer for your home theater. It hits so hard that I’m considering getting a 2nd one to help balance out the room.
Kenneth –
If JBL stands for Just Be Loud, they are doing it right. This is a massive subwoofer built with an old-school design philosophy that bigger is better. They’ve succeeded in putting together a 12” subwoofer driver in a heavy, solid box that can contain it nicely. The solid enclosure resists unwanted vibrations, while the driver and dual ports in the back put out a load of sound that will resonate through even larger rooms. The built-in amplifier is quite capable and efficient. Two knobs, crossover frequency and volume, are exactly what you need (although I cranked the crossover all the way up since my receiver has a built-in subwoofer crossover). Big rubber feet help to keep it from rattling the floor more than you want it to, with optional spikes if you want to isolate it that way (i.e. on a carpet the spikes may work better).
Sometimes with a larger diameter subwoofer driver, the sound can get boomy and unrefined. But this one is not overly messy. The bass remains relatively tight and clear. It produces good sound down below the lowest frequency I can hear, adding a strong bass foundation for your loudspeakers. If you have larger main loudspeakers it might be tempting to think that you don’t need a subwoofer (I thought so with some big high-quality speakers) but there’s something to be added even with excellent full-range speakers. This is especially true in a surround system, to help tie the sound together across all your speakers.
This product is almost large enough to be considered a piece of furniture. It’s a little lower than coffee table height, but close to it. The styling is sleek enough to be worth showing off in your living room or den. The woodgrain look is classy, as is the cloth grille. JBL snuck in a strip of their bright orange brand color just behind the grille, which I thought was a nice way to give a nod to their reputation for bold party-style equipment while still being subdued enough to be appropriate for a more mature decor.
This unit did not come with an audio cable, only a power cable, so make sure you have the RCA cable you need to connect it to your equipment.
Bryan –
JBL has jumped into the home theater speaker space with the zest that only an established brand can. They are coming out swinging with their stage2 set of speakers and the Stage2 250B 2-Way 5.25-inch (130mm) Bookshelf Loudspeakers are another example of quality with a price tag that reflects value. You get a pair of these for $400, but let me tell you, they punch above their weight class when it comes to the price.
JBL has been around for generations. They developed their first speakers in 1946! The American company has made a name for themselves throughout the last 80 years as a value-centric option for your speaker needs – especially when it comes to headphones, earbuds and portable speakers. Lately they have dominated the portable speaker market with their options, which are high-quality, yet less expensive than so many other options out there.
The new Stage2 speaker line-up gives a very nice modern look, and offer the same hint of orange on the speaker grills as the other speakers in the line-up (floorstanding R&L, dolby atmos speakers, center speaker, and most stylish being, the new receiver options. I’m impressed with the style JBL chose – as it’s not overwhelmingly modern. The color choices (Espresso and latte) fit any decor and are consistent among the products. These look awesome!
Feature wise these loudspeakers include a 5.25-inch (130mm) Polycellulose Ribbed Cone Woofer.
Each speaker in the Stage 2 series features Polycellulose ribbed cone woofers, which help with consistency and a sound that emphasizes that consistency. According to the descriptions, it includes a pure pulp cone has a proprietary mix of other materials added to improve its rigidity and the ribs echo legendary JBL designs. The conclusion is that these woofers produce deep, accurate, room filling bass and excellent sound. They also include a 1-inch (25mm) Anodized Aluminum Tweeter that JBL says is in “Next Generation HDI™ Waveguide.” Through intense research of previous waveguide designs, JBL has developed a new complex geometry that improves directivity, reduced diffraction, and an overall neutral frequency response both on and off axis. The Stage 2 HDI Horn is coupled to an anodized aluminum dome tweeter to enhance efficiency and dynamics. This new design offers a neutral frequency response both on and off axis.
Premium components are used to construct the crossovers fitted to the Stage 2 line. The High frequency section features air core inductors and mylar capacitors that reduce distortion and improve sonic performance. The low frequency section includes laminate core inductors and electrolytic capacitors. These premium materials can handle more power and transmit energy faster elevating system performance.
Sturdy 5-way binding posts provide the listener with their choice of high-quality connection. They also match the binding posts on the JBL MA AVRs, carrying the cohesive look throughout.
JBL has premium details throughout the line including magnetically attached grilles, unique trim rings and the floating front baffle design – upscale features not typically found on loudspeakers in this price range.
A flared port is featured on the 250B. This new flared design reduces the velocity of the air when exiting the speaker cabinet, eliminating any chuffing or coloration of output. The 250B includes anti slip pads to hold the speaker securely in place, minimize vibrations.
For $400, these speakers are a value and offer such a fluid sound when coupled with the rest of JBL’s Stage2 lineup. I’m going from a Klipsch set of premium speakers, coupled with an Onkyo RZ-50 (which has had its fair share of technological issues) and have been super impressed with the clear, robust sound. There is a beautiful separation with these speakers that you can tell have been fine tuned by the developers, who obviously know what they’re doing. I’m excited for what’s to come with JBL if this is their first stab into upper-mid tier Dolby home theater.